We celebrated the CMI’s one-year anniversary by focusing on #MediaPioneers who are doing something truly new and different. The disruption that has run through the media industry has caused a lot of pain and caused all of us to rethink how we value news and access it. But it also has created opportunities that never existed before. For my latest media column, I focused on some of these people who are doing truly exciting work – and starting figure out ways to pay their bills.
Frank Murgia, executive producer at the Pittsburgh Podcast Network, discusses the YaJagoff podcast and how it’s starting to make money.
“YaJagoff” can express exasperation or endearment, as any Pittsburgher knows. But John Chamberlin also sees it as his brand.
He hosts the YaJagoff Podcast , and as the name implies, he focuses on all things “yinzer,” from pierogies to basement potties. It is one of five core offerings from the Pittsburgh Podcast Network, which has started making money in its fourth year, executive producer Frank Murgia recently told me.
“It finally feels like it’s a real thing and we’re starting to see opportunities,” he said.
Recent years’ disruption that has shaken news companies also has produced media pioneers. Large outlets are becoming nimble by experimenting with innovative platforms and content. Startups are redefining the industry with concepts no one has tried. This energy creates opportunities for older journalists seeking to rediscover the craft and for students who want to engage in storytelling and try something new. Read more…
AmyJo Brown, founding editor of new media startup Grant’s Hill, talks about her business plan.
Journalism is a business. That always has been true (as a reader reminded me this week) but disruption in the industry has changed the way that journalists must think about their jobs. On a recent visit to Boston, I caught up with a friend working at the Boston Globe’s new spinoff, Stat News, and I met with Josh Benton at Harvard’s Nieman Journalism Lab. Both talked about the need for reporters to be aware of their company’s bottom line. That used to be taboo. My latest column looks at the changes taking place…
The experiment should have been a disaster: Take 15 advanced journalism students and challenge them to spend a semester thinking about money, spreadsheets, marketing ideas and business plans. But it wasn’t.
A decade ago, it would have been heretical for journalists to think about making money. Today, that thinking has become essential for media businesses to survive — and for creative people to support themselves.
After seeing journalists forced reluctantly into becoming entrepreneurs, I ran the experiment at Point Park University this spring. We talk often about using technology to tell stories in innovative ways, but young journalists — especially — also must think creatively about selling their ideas. Read more…
Newly minted Pulitzer winners seemed to be everywhere at the recent Scripps Howard Awards’ VIP reception in Cincinnati. I was fortunate to spend time with two of them.
One, Daniel Berehulak of The New York Times, spent weeks last year in the Philippines to chronicle President Duterte’s brutal “war on drugs.” I had been moved by the series when it ran, and it was fascinating to hear Berehulak talk about the experience. His images, like the one below, are graphic, disturbing and beautiful…
The other, Eric Eyre of The Charleston Gazette in West Virginia, impressed me for how unaffected he seemed by all of the Pulitzer hype. He represents the best of so many journalists I have known over the years, grinding out stories every day with the goal of having a positive impact on their community. He landed the story of his career by exposing just how many prescription opioids are pouring into West Virginia (spoiler alert: it’s a lot!).
Eric was kind enough to share more time with me after I returned to Pittsburgh. I featured his work in this month’s media innovation column…
Eric Eyre always thought reporters had to write something like a nine-part series to win a Pulitzer Prize. It turns out all he had to do was keep grinding.
Eyre, 51, figures he writes about 250 stories a year as a statehouse reporter for West Virginia’s Charleston Gazette-Mail newspaper, circulation 37,000. He files a story almost every day, and another for the Sunday edition. Once a month, he works the night cops beat.
A couple of stories Eyre wrote in December changed the pace of his work, for now.
Read more here.
I grew up in Pittsburgh. And I knew the legend of Roberto Clemente. It gets passed down from grandparents to parents to children around these parts.
But I never really knew his full story.
So when my publisher asked if I would write a children’s book on the Pirates outfielder, I jumped at the chance. The book, All About Roberto Clemente, has just come out. It seeks to introduce a new generation to Clemente — the player, but also the man. The best way to understand his impact is to see how many contemporary players — especially from the Caribbean — still pay homage to Clemente today.
I also had two personal reasons for wanting to do the book: One, my cousin John David Charlton loved Clemente. He’s a little bit older, and understood Clemente’s greatness better than I did. I dedicated the book to John. The second is that my close friend Luis Fabregas grew up in Puerto Rico and made the same trek to Pittsburgh. This story is also Luis’s story.
The book is available at Barnes & Noble everywhere, Amazon and independent book stores.
My latest media innovation column focuses on the upstart companies that curate or aggregate the news from other sites, adding their own slant or original reporting. The people behind these sites have a lot of different approaches and many of them seem to be making money. They largely depend on original reporting from other sources.
An editor at the Tribune-Review wrote the headline: “News aggregators need newspapers.” From my perspective, the newspaper could have said just as easily and accurately…
“Newspapers need to be more nimble.”
Adam Shuck started out two years ago this month with an email to 30 friends, sending them links to Pittsburgh news stories and offering his unique perspective.
He had no formal journalism training but his daily newsletter, “Eat That, Read This,” turned out to be popular. He now has 4,700 subscribers, sells advertisements and has turned writing the emails into a full-time job.
Shuck faithfully credits the original news sources and spreads around links to various media outlets.
He occasionally takes aim at journalists, too. Continue reading here.
Cam Newton is black.
Normally, these days, one wouldn’t make that distinction about the Carolina Panthers’ quarterback. But he brought up the issue himself recently, questioning whether football fans are ready: “I’m an African-American quarterback. That may scare a lot of people because they haven’t seen nothing that they can compare me to.”
Of course, he’s not the first. Charles Follis became the first black professional football player in 1904. Fritz Pollard in the 1920s played on the league’s first championship team and then served as the league’s first black coach. Willie Thrower became the league’s first black quarterback with the Chicago Bears in 1953. And, of course, Doug Williams, of Grambling fame, became the Super Bowl XXII MVP in 1988 with the Washington Redskins.
But Newton has a point. As much as we want Continue reading
I will be talking at Point Park University on the evening of Oct. 29 about the Steelers’ secret strategy for finding black players that other teams could not see. This will be a chance for me to tell about the process of writing The Color of Sundays and to put the story into the context of the times. Bill Nunn Jr. lived at an interesting time — and he had a front-row seat. Also, I expect to have at least a couple of special guests in the audience.
When: 6 p.m., Thursday, Oct 29
Where: Point Park University’s Lawrence Hall, Room 200
Registration required: https://colorofsundays.eventbrite.com